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Friday, 27 June 2008

Friday, 29 June 2007

  • help complete my short story

    It's been a while since I've written fiction.  But here's one I'm working on.  It's not done so please give me your thoughts and ideas about what you think should happen, or how you'd like to see it end.

         Roger Mann in waking consciousness is the friendliest gentlest and most agreeable man.  He smiles, is unassuming, asks you what you’d like to do.  But asleep, he’s aggressive—will wrestle with you, pin you down, secure you in his arms and won’t ever let you inch away.  He wraps a woman in his arms and doesn’t let go.  If she turns away for a breath of air—If she rolls to the side because it’s too hot—he’ll reflexively scoop her back onto his chest and lock her in tight, then snuggles and hides himself in her.  This scared me at first, gave me terrifying dreams—made me think he wanted to kill me.  But then after six nights of nightmares, I grew fond of it, of being held tight which made me feel protected and cared for.

         At 6:45am every morning, a wrinkled but perky old Chinese maid enters Roger’s apartment and gets him ready for work.  She makes him oatmeal and helps him get into his urban park ranger uniform.  He stretches his arms out and she does the buttons.  He sits down and she puts on his socks and ties his shoelaces. 
    If there happens to be a girl sleeping with him, the maid will offer to dress the girl as well in one of two outfits: the “Dorothy dress” which is a replica from Wizard of Oz and the “Snow White dress” from Disney’s Snow White and the Seven Dwarves.  I picked the Dorothy dress, which the maid helped me into, after she helped Roger into his uniform.  At 7:45, Roger leaves his apartment to go to work at Flushing Meadows Corona Park.

         Roger is 6’0”, has dark blond hair, blue eyes, and an athletic physique.  He sometimes has scruff.  When I first met him, I took notice of his forearm which was in my direct sightline because I’m 5’1 ½ ”.  His arms are tan, masculine, has blond hairs, and I saw a green vein which made me think he was strong.  This all made me feel lightheaded.  There was chemistry between us because he’s large and handsome and I’m little and beautiful.  When two such creatures stand next to each other, the man will feel ultra masculine and the woman will feel ultra feminine, which leads to traditional gender role-playing, which leads to sex and the little old woman who puts on a Dorothy dress.

        We’d met in front of the Kmart at Astor Place.  It was 6:45ish on a weeknight, raining hard, and everyone searched for shelter under the Kmart canopy.  When the rain subsided, I walked to an organic coffee shop.  He followed me.  I had an Aztec brownie and peppermint tea and he got an espresso and muffin.  Then we talked about who we were until the shop closed (which was at 8.)  Then we walked to a bookstore and talked about books for five hours.  Then we got hungry again and went to a pizza shop.  We parted at 11:30.  He bent down and hugged me and said, “Do you want to see me again?”

         I met him again in his Astoria apartment.  He showed me photos of himself from birth through high school.  It was bewildering to see the evolution.  He was born premature.  Then he grew into a tall skinny boy with big glasses who went to church.  Then in the last five years he somehow became a buff surfer dude with an earring. We ate leftover lasagna, kissed, and had sex.  In the morning, I took photos of him.  Then the old lady came in to get us ready for the day.

         I met him again in his Astoria apartment.  We kissed, had sex, and ate mac & cheese.  In the morning, I took photos of him and told him about my terrible dream of him crushing me to death with his weight.  He promised he’d never hurt me in my dreams again.

         I met him again in his Astoria apartment.  We ate tilapia, kissed, and had sex.  Again he wrestled with me in his sleep whenever I tried to turn over.  In the morning, I took photos of him. 

         After two months, I hung up all the photos by date order on a wall.  It was a mosaic quilt of Roger faces.  They were beautiful and radiated feeling.  At night, all the Rogers in the pictures sang together as a chorus in 5-part harmony: “This is HALLOWEEN, Everybody make a SCENE!”

    ...to be continued


Saturday, 27 January 2007

  • Manifesto To My Students

    I had my eigth graders write manifestos of 300 words or more.  They are to present them tomorrow at our Tea & Manifesto party.  They demanded that I come with a manifesto of my own, so here it is:

    Adolescence, the process of becoming an adult, was, for me, revelatory and painful.  For me, it was a time when I first walked around in the real world unaccompanied by adults.  Unaccompanied by adult voices to narrate and dictate what to think of everything we saw.  It was the first time I took the subway alone, to get to a new middle school, with new faces and people.

    It was then that I heard many more voices.  Many new unfamiliar voices.  Voices other than my parent’s, my family’s, my neighborhood’s, my community’s.  I heard voices that were confusing, contradictory, many ugly.  Swear words, violent words, racist words, demeaning words. 

    It was a time when previous beliefs of how the world works failed me.  Everything was cruel and ugly and we, the teenagers, became cynical.  The cynicism protected us.  With cynicism, we expected and prepared for the worse and the basest, and so we were never taken surprise if or when harm came.  We believed that those who were idealistic, however, were stupid.  They were naïve, unaware.

    But then in adulthood came a new revelation.  That being cynical does not make one stronger or smarter.  An idealistic person, who remains hopeful, despite knowing the world’s tragedies and sufferings is the stronger one.  Idealism is a path far greater and more difficult than cynicism, and I hope that this is an idea my students will consider.  I challenge all to take a break from living defensively, from fear of being cheated by the world.  I challenge all to risk loving and believing in goodness, not in a wishful thinking sort of way, but a mature, open, but careful hopeful way.

    My greatest hope for my students is that they discover the beauty of acquiring discipline, achievement, accomplishment, and balance in their lives.  These have been the greatest sources of comfort and happiness for me, but getting to this level of acceptance and peace with the world is a process that is difficult and requires a lifetime to refine.

    I leave you, my adolescent students, with two excerpts by beloved poet Maria Rainer Rilke, which since I’ve first read them, have indeliably influenced how I view life.  First,

    We must trust in what is difficult; everything alive trusts in it, everything in Nature grows and defends itself any way it can and is spontaneously itself, tries to be itself at all costs and against all opposition.  We know little, but that we must trust in what is difficult is a certainty that will never abandon us.

    Second,

    Love life in a form that is not your own and be indulgent toward those who are growing old.  Avoid providing material for the drama that is always stretched right between parents and children; it uses up much of the children's strength and wastes the love of the elders, which acts and warms even if it doesn't comprehend.  Don't ask for any advice from them and don't expect any understanding; but believe in a love that is being stored up for you like an inheritance, and have faith that in this love there is a strength and a blessing so large that you can travel as far as you wish without having to step outside it.

        So my students, accept the misunderstandings with adults, with parents, teachers, with elders.  Accept that you may never see eye-to-eye.  But trust in the fact that out of these differences, out of these painful generational misunderstandings, out of these unfair expectations and unbearable pressures, there were and are parental sacrifices; there is love.  Accept this love, accept this love and honor it, blanket yourself in it and take it with you to where you have to go, though it be far and distant and even lonely from where you’ve sprung forth.

Thursday, 28 December 2006

  • The Accordion Joint

    We’re in the accordion joint
    Air flows and tones squeeze out
    The double bus turns
    And we circle
    Spinning in a teacup

    The joyous song ride and
    Unexpected rotations
    Make up for the slow travel
    From 89 to 14


  • Because You Never Let Me Treat You Badly

    You know why I love you so much?
    you used to say to me,
    It’s because you never let me treat you badly.
    Then you’d cry over becoming the good man you became
    And hold me tight with love

    Somewhere along the way,
    amidst breaths echoing, sweet zest touches,
    gazes, attempts to memorize each other’s body,
    You surrendered, but not to me,

    Unrefined transitions surfaced into-
    Began marring our contract, morphed ugly

    You were hit sudden with sobriety
    Awaken by meanness cold, horrifying
    An uninvited cast of characters sprung out of your mouth
    And chartered into my dreamstate
    to kill each and every strand of life I had with you

    One at a time, they weakened me,
    Again, and again,
    And I failed you
    Failed you because I let you hurt me
    And you couldn’t love me anymore

    Because I was weak enough to let you hurt me
    Because I let you treat me badly
    And still, this time, I didn’t stop loving you

    The glow on your face from my presence
    Transmutes; a dead barrier reflects
    An animal altered to ghost state
    Dried rose petals fall to ground crumbling

    I want that man back, the man I knew
    He doesn’t exist you say coldly
    But I continue talking to him
    As if somehow, hiding in your body,
    He can still hear me

    I speak past you, past your exterior,
    Into your mouth, where he got lost,
    Got swallowed by -

    With all my love and might I say to my lost baby
    I love you, I love you, I’m here
    I’m waiting for you


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  • Writing short stories, essays, and experimental cucumbers. A spokesperson for humanity.

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